"The unexamined life is not worth living." If Socrates is right about this (and far be it for me to disagree with him), he has provided the greatest possible justification for the art of biography. Biography, of course, is all about the examination of lives. It is the art of stitching together the facts of … Continue reading Why Real Lives on Screen?
Previously, I've briefly considered ethics in terms of the imperative to be accurate versus the question of dramatic truth. This post will consider a different aspect of ethics, the question of privacy. I realised when I was going to look into questions of ethics that I should actually read up on some media ethics texts. … Continue reading Ethics Part 2
Today started with reading a fascinating Q&A with the dramatist and screenwriter Peter Morgan, probably the best known contemporary moving image biographer. There is a lot of rich material in this interview, but I was particularly engaged by Morgan's provocative distinction between accuracy and truth. Morgan persistently argues that there is an inherent and essential … Continue reading Ethics part 1
I had one piece of melodrama reading hanging over from last week, which I finished off today: Ben Singer's Melodrama and Modernity (2001). I've read this book before, a long time ago, I think for an undergraduate essay about melodrama and Italian cinema. Needless to say, I had forgotten most of its insights in the intervening years, … Continue reading More melodrama and storytelling for TV
I've had another genre-filled day today, because I'm trying to mop up the last bits of reading for the book's first chapter. This will offer a theoretical and definitional overview of the televisual biographical drama. One of the things I'm trying to do is locate it in relation to familial genres - and today's were … Continue reading Heritage film & melodrama
Over the next few weeks, I will largely be finishing off some final bits of reading before I start writing. I love reading and find writing tough, so I am relishing this moment of pure assimilation before I actually have to create something. Today I have been returning to work by Márta Minier and Maddelina … Continue reading Biopics, history, memory
I'm a fan of American Horror Story, and so far forgiven both a lot of its excesses, particularly its repetitive use of archetypes and mise-en-scene with Baz Luhrmann levels of subtlety. I've also been generally on board with its promiscuous use of pop culture referencing, even in places where it is simply meretricious (Elsa 'Life on' Mars, … Continue reading “Real” horror – Serial Killers in American Horror Story: Hotel: Devil’s Night
Synopsis: Iris Murdoch (Judi Dench), internationally renowned author and philosopher, is eking out a quiet semi-retirement with her academic husband John Bayley (Jim Broadbent). Prompted by atypical lapses in memory, Iris reluctantly agrees to visit a doctor, who diagnoses Alzheimer's disease. Iris must contend with a gradual erasure of her memory and personality, and John is … Continue reading Iris (2001)
I was, of course, inspired to write about Cilla after the sad news that its subject, the singer and TV presenter Cilla Black, had died. Like most British people my age, Cilla Black played a defining role in Saturday nights as I was growing up. If I remember it correctly, 'Miss Cilla Blaaack' and her show Blin-duh … Continue reading Cilla (ITV, 2014)
Synopsis: After meeting at Cambridge, Ted Hughes (Daniel Craig) and Sylvia Plath (Gwyneth Paltrow) form an unequal literary marriage: his star is on the rise, while she finds herself suffering perpetual writers' block. Her chronic mental illness, coupled with his infidelity conspire to consign her to abject misery, but, although left alone with two children, she is … Continue reading Sylvia (2003)
Synopsis: Poets Samuel Taylor Coleridge (Linus Roache) and William Wordsworth (John Hannah) form a friendship and creative partnership after becoming involved in revolutionary activities inspired by events in France at the end of the 18th century. Encouraged by Wordsworth's sister Dorothy (Emily Woof), they seek inspiration from nature, and each other, for a new kind of poetry. … Continue reading Pandaemonium (2000)
